{"id":16055,"date":"2026-02-24T11:28:07","date_gmt":"2026-02-24T07:28:07","guid":{"rendered":"https:\/\/www.portail-esclavage-reunion.fr\/?post_type=documentaire&#038;p=16055"},"modified":"2026-04-02T12:04:18","modified_gmt":"2026-04-02T08:04:18","slug":"loratorio-1998-ombline-ou-le-volcan-a-lenversloratorio-ahmed-essyad-a-partir-in-teks-boris-gamaleya","status":"publish","type":"documentaire","link":"https:\/\/www.portail-esclavage-reunion.fr\/re\/documentaires\/memoir-lesklavaj\/kreasyon-artistik\/loratorio-1998-ombline-ou-le-volcan-a-lenversloratorio-ahmed-essyad-a-partir-in-teks-boris-gamaleya\/","title":{"rendered":"<em>L\u2019Oratorio 1998 : Ombline ou le volcan \u00e0 l\u2019envers<\/em><br>loratorio Ahmed Essyad a-partir in t\u00e8ks Boris Gamaleya"},"content":{"rendered":"\n<figure class=\"wp-block-video\"><video controls poster=\"https:\/\/www.portail-esclavage-reunion.fr\/wp-content\/uploads\/2021\/09\/poster_quillier.jpg\" src=\"https:\/\/www.portail-esclavage-reunion.fr\/wp-content\/uploads\/2026\/02\/QUILLIER-2-bis-Creole.mp4\"><\/video><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Deu-troi date po plasse <em>l\u2019Oratorio 1998<\/em> dann son l\u00ebv<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">Lan\u00e9 1983<\/h4>\n\n\n\n<p>Lan\u00e9 1983, Boris Gamaleya i p\u00fcbliye <em>Le Volcan \u00e0 l\u2019envers ou Madame Desbassyns, le Diable et le Bondieu<\/em> (ASPRED, Sin-Leu, lan\u00e9 1983). Pi\u00e8s t\u00e9at-la l\u00e9t\u00e9 m\u00e8mtan in <em>prolongement <\/em>\u00e9pila in tournant dann l\u00ebv lot\u00ebr-la.<\/p>\n\n\n\n<figure class=\"wp-block-image alignnone\"><a href=\"https:\/\/www.portail-esclavage-reunion.fr\/wp-content\/uploads\/2021\/09\/1983-Le-volcan-a\u0300-lenvers.jpg\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"423\" height=\"600\" src=\"https:\/\/www.portail-esclavage-reunion.fr\/wp-content\/uploads\/2021\/09\/1983-Le-volcan-a\u0300-lenvers-e1631100721926.jpg\" alt=\"\" class=\"wp-image-6093\"\/><\/a><figcaption class=\"wp-element-caption\">Le Volcan \u00e0 l\u2019envers ou Madame Desbassyns, le Diable et le Bondieu, Sin-Leu, ASPRED, lan\u00e9 1983<\/figcaption><\/figure>\n\n\n\n<p><em>Prolongement<\/em>, akoz lo potansi\u00e8l dramatik konm dramat\u00fcrjik nav\u00e9 dan lo deu livr\u2019 po\u00e8m la-sorte avan,<em> Vali pour une reine morte<\/em> (REI, Sint-Andr\u00e9, lan\u00e9 1973) \u00e8k L<em>a Mer et la M\u00e9moire \u2013 Les Langues du Magma<\/em> (Linprimri AGM, Sin-Dni, lan\u00e9 1978), i rotrouve toultan dann in vr\u00e9 mod\u00e8l t\u00e9at.<\/p>\n\n\n\n<p>Parlf\u00e8te, lo bann kozman nav\u00e9 dann deu promi\u00e9 livr\u2019-la t\u00e9 fine amontre in l\u00e9f\u00e9 dramatik, in kou ansanm bann gran d\u00fco lamour (Rahariane \u00e8k Cimendef, Anissia \u00e8k Sangolo), in kou ansanm bann b\u00e9b\u00e8te ral\u00e9-pouss\u00e9 rantr\u2019 bann maron (Cimendef, Anchain) \u00e8k bann shass\u00ebr maron (Mussard, Bronchard).<\/p>\n\n\n\n<p>Anpl\u00fcske\u00e7a, dan lo tr\u00e9fon deu t\u00e8ks-la, i rotrouve lo m\u00e8m tiktak dramat\u00fcrjik i maye rit\u00fc\u00e8l \u00e8k shomin inissiatik \u2014 dann <em>Vali pour une reine morte<\/em>, in tral\u00e9 l\u00e9pr\u00ebv i fini par m\u00e8te-a-t\u00e8r avan tash-mani\u00e8r arl\u00e9v\u00e9 : \u00ab<em> je tombe\/la m\u00e9moire br\u00fbl\u00e9e du lait de tes euphorbes<\/em> \u00bb ; sinon\u00e7a t\u00e9 i am\u00e8ne bann l\u00fcte kom\u00e9la apartir tout \u00e7ak t\u00e9 i kon\u00e9 dessi bann konba lontan \u2014 dan lo deuzi\u00e8m livr\u2019, al\u00fc m\u00e8m t\u00e9 an-deu morso, i rode po f\u00e9 amontre anou limaj in \u00ab<em> homme qui se souvient de son possible d\u00e9vast\u00e9<\/em> \u00bb, \u00ab <em>qui tombe et se rel\u00e8ve\/dans l\u2019inlassable clameur\/de l\u2019histoire<\/em> \u00bb, apr\u00e9\u00e7a, done la fors lo bann bata\u00efy kom\u00e9la \u00e8k lon\u00ebr i rande toute bann militan bann n\u00e8rvi la-t\u00fc\u00e9 (\u00ab <em>il suffit que je dise un nom fran\u00e7ois coupou<\/em> \u00bb, \u00ab <em>il suffit que je dise un nom \u00e9liard laude<\/em> \u00bb, \u00ab <em>il suffit que je dise un nom rico carpaye<\/em> \u00bb), \u00e9pila sirtou shoizi bann mo i arive konm \u00ab <em>oiseaux de pratique nouvelle<\/em> \u00bb, d\u2019un \u00ab <em>cri irr\u00e9cusable<\/em> \u00bb : \u00ab <em>l\u2019histoire c\u2019est la vie qui peu \u00e0 peu triomphe\/et non nos seules morts\/\/le combat continue <\/em>\u00bb.<\/p>\n\n\n\n<p>&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.portail-esclavage-reunion.fr\/wp-content\/uploads\/2021\/09\/Vali-pour-une-reine-morte_La-mer-et-la-me\u0301moire-2.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"840\" height=\"632\" src=\"https:\/\/www.portail-esclavage-reunion.fr\/wp-content\/uploads\/2021\/09\/Vali-pour-une-reine-morte_La-mer-et-la-me\u0301moire-2.jpg\" alt=\"\" class=\"wp-image-6152\" srcset=\"https:\/\/www.portail-esclavage-reunion.fr\/wp-content\/uploads\/2021\/09\/Vali-pour-une-reine-morte_La-mer-et-la-me\u0301moire-2.jpg 840w, https:\/\/www.portail-esclavage-reunion.fr\/wp-content\/uploads\/2021\/09\/Vali-pour-une-reine-morte_La-mer-et-la-me\u0301moire-2-300x226.jpg 300w, https:\/\/www.portail-esclavage-reunion.fr\/wp-content\/uploads\/2021\/09\/Vali-pour-une-reine-morte_La-mer-et-la-me\u0301moire-2-768x578.jpg 768w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><\/a><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>&nbsp;<\/p>\n\n\n\n<p><em>Tournant<\/em>, akoz kom\u00e9la, par\u00e8y la m\u00e8r l\u00e9 po done al\u00fc in joli mod\u00e8l, parsk po l\u00fc la m\u00e8r s\u00e9 lo \u00ab <em>synth\u00e8se en [son] en de\u00e7\u00e0 d\u2019homme<\/em> \u00bb, Boris Gamaleya va tashe mani\u00e8r m\u00e8te an-plasse dann son l\u00ebv in mani\u00e8r koz\u00e9 konplik\u00e9 po niabou f\u00e9 \u00ab <em>une \u00e9trange synth\u00e8se<\/em> \u00bb, po d\u00e9ssote \u00e9ksepr\u00e9 toute bann shemin anbar\u00e9 dann toute kalit\u00e9 bann ral\u00e9-pouss\u00e9 ( rantr\u2019 lo janr\u2019, rantr\u2019 lo kat\u00e9gori, rantr\u2019 bann p\u00ebp tou\u00e7ala) i fane tanpirkip\u00e9.<\/p>\n\n\n\n<p>Po \u00e7a m\u00e8m, lo padport Gilbert Aubry la-f\u00e9, i ans\u00e8rve bien po niabou konprande bann nouvo d\u00e9fi-la, s\u00fcrtou l\u00e8rk i koste Boris Gamaleya \u00e8k Ernst Bloch ansanm son \u00ab <em>principe esp\u00e9rance<\/em> \u00bb : \u00ab <em>Le spirituel refait surface dans le champ de la praxis mat\u00e9rialiste. Non pas comme une chim\u00e8re, mais comme une dynamique culturelle qui prend les devants, attire et captive, demeure cependant inaccessible et insaisissable. C\u2019est l\u00e0 le \u00ab Principe Esp\u00e9rance \u00bb, un peu comme l\u2019image de la statue qui envo\u00fbte le sculpteur et le tire en avant dans la r\u00e9alisation de sa sculpture. C\u2019est \u00ab le devant-nous au sein duquel aussi bien le noyau des hommes que celui de la Nature, parviennent utopiquement \u2013 ou bien ne parviennent pas \u2013 \u00e0 leur \u00e9panouissement final<\/em>. \u00bb (E. Bloch).<\/p>\n\n\n\n<p>T\u00e8lman, Boris Gamaleya va marke par-l\u00fc m\u00e8m bann fraz-la dann padporte son liv : \u00ab <em>Ceci est le livre r\u00e9unionnais gr\u00e2ce auquel vous pourrez voir Dieu de votre vivant, ainsi que l\u2019enfer et le purgatoire, sans devoir passer par votre propre mort<\/em>. (<em>D\u2019apr\u00e8s une pr\u00e9sentation du liber secretus<\/em>. cf E. Bloch, <em>Le Principe Esp\u00e9rance<\/em>). \u00bb<\/p>\n\n\n\n<p>Av\u00e8k <em>Le Volcan \u00e0 l\u2019envers ou Madame Desbassyns, le Diable et le Bondieu<\/em>, dann son l\u00ebv va arive apr\u00e9, Gamaleya i tonbe konm in Dante r\u00e9nyon\u00e9 l\u00e9 po \u00e9kri in <em>divine com\u00e9die proprement cr\u00e9ole<\/em>, baz\u00e9 dessi \u00ab <em>l\u2019\u00e9trange synth\u00e8se<\/em> \u00bb, ankor an-shemin po al\u00e9 jiska son potansi\u00e8l \u00ab <em>\u00e9panouissement final<\/em> \u00bb, rantr\u2019 in lid\u00e9oloji marxiste \u00e8k in spirit\u00fcalit\u00e9 kr\u00e9tien, \u00e9pila rantr\u2019 lo marmay \u00e8k lo bononm va arive apr\u00e9 : \u00ab <em>Adieu mes origines\/j\u2019ai tout r\u00e9invent\u00e9<\/em> \u00bb, \u00ab <em>que je me donne \u00e0 toi\/incessible\/refais en moi cette \u00eele\/\/L\u2019ENFANCE CONTINUE<\/em> \u00bb.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Lan\u00e9 1998<\/h4>\n\n\n\n<p>Lan\u00e9 1998, livre-la l\u00e9 p\u00fcbli\u00e9 ankor in kou, \u00e8k anpl\u00fcs \u00e7at l\u00fc la-f\u00e9 \u00e9n\u00e8te <em>L\u2019Oratorio 1998<\/em>, (Oc\u00e9an Edition, lan\u00e9 1998) parsk i ranforse m\u00e8mtan i rafine al\u00fc: \u00ab <em>par la Voie br\u00e8che ouverte\/de recto en verso\/de royaume en royaume\/paho\u00e9 oh\u00e9 o\/rien n\u2019est plus comme avant\/rien hormis cette croix <\/em>\u00bb. Lo t\u00e8ks loratorio-la s\u00e9 lo livr\u00e9 Boris Gamaleya i doi done Ahmed Essyad par rapor in komande L\u00e9ta po bann s\u00e9l\u00e9brasyon 150\u00e8m laniv\u00e8rs\u00e8r labolisyon l\u00e9sklavaj.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Bann lan\u00e9 1987, 1992, 1995, 1997<\/h4>\n\n\n\n<p>Rantr\u2019 bann date-la, n\u00e9na o-moins 4 livr\u2019 prinsipal la-\u00e9n\u00e8te : <em>Le Fanjan des Pens\u00e9es \u2013 Zanaar parmi les coqs<\/em> (Linprimri AGM, Sin-Dni, lan\u00e9 1987), ou\u00e7a Boris Gamaleya i prande po vr\u00e9man in tournan spirit\u00fc\u00e8l inspir\u00e9 m\u00e8mtan par bann gran mistik listoir, Jean-Joseph Rabearivelo \u00e9pila la tradisyon bann zans\u00e8t Loss\u00e9an Indien ; <em>Piton la nuit<\/em> (\u00c9ditions du tramail\/ILA, Sin-Dni, lan\u00e9 1992), ou\u00e7a montagn sakr\u00e9 \u00e8k gro f\u00e9noir i repr\u00e9zante son gran l\u00e9sp\u00e9rans, l\u00e8rk l\u00fc rode lo bann \u00ab <em>co\u00efncidences du tout ouvert<\/em> \u00bb ; <em>Lady Sterne au Grand Sud<\/em> (Azal\u00e9es Editions, Sin-Dni, lan\u00e9 1995), ou\u00e7a lamour po madam, lamour po son lil, lamour po la libert\u00e9, lamour po la m\u00fczik, lamour po fonnk\u00e8r, \u00e9pila lamour po la grand\u00ebr l\u00e9spri, s\u00e9 ins\u00ebl zaf\u00e9r k\u2019i klate ; <em>L\u2019Ile du Tsar\u00e9vitch<\/em> (Azal\u00e9es \u00c9ditions, Sint-Andr\u00e9, lan\u00e9 1997), ro\u00e8me, in mani\u00e8r di roman-po\u00e8me, ou\u00e7a lo zistoir aranj\u00e9 la vi son papa, i p\u00e8rm\u00e8te Boris roli\u00e9 konm in kador, tout lo bann t\u00e8me l\u00fc t\u00e9 fine koze dessi, konmsi l\u00fc t\u00e9 i doi rogroupe dann in b\u00e9b\u00e8te f\u00e9-dartifis, po marke pa jist lo bout in shemin m\u00e8mtan lo relansman son l\u00ebv dessi d\u2019ot nouvo shemin, pl\u00fcs gadyanm ankor.<\/p>\n\n\n\n<p>S\u00e9 par rapor lo shemin an-kr\u00e9asyon-la, i fo rogarde lo karakt\u00e8r \u00e8k lo gout\u00e9 <em>L\u2019Oratorio 1998<\/em>.<\/p>\n\n\n\n<figure class=\"wp-block-image alignnone\"><a href=\"https:\/\/www.portail-esclavage-reunion.fr\/wp-content\/uploads\/2021\/09\/1998-Ombline-ou-le-volcan-a\u0300-lenvers-1.jpg\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"436\" height=\"600\" src=\"https:\/\/www.portail-esclavage-reunion.fr\/wp-content\/uploads\/2021\/09\/1998-Ombline-ou-le-volcan-a\u0300-lenvers-1.jpg\" alt=\"\" class=\"wp-image-6155\" srcset=\"https:\/\/www.portail-esclavage-reunion.fr\/wp-content\/uploads\/2021\/09\/1998-Ombline-ou-le-volcan-a\u0300-lenvers-1.jpg 436w, https:\/\/www.portail-esclavage-reunion.fr\/wp-content\/uploads\/2021\/09\/1998-Ombline-ou-le-volcan-a\u0300-lenvers-1-218x300.jpg 218w\" sizes=\"auto, (max-width: 436px) 100vw, 436px\" \/><\/a><figcaption class=\"wp-element-caption\"><em>Ombline ou le volcan \u00e0 l&#8217;envers : oratorio pour quatre solistes, choeur mixte, r\u00e9citant, six percussions et ensemble instrumental<\/em>, m\u00fczik Ahmed Essyad, t\u00e8ks Boris Gamaleya, foto Thierry Fontaine, Sin-Pol, FRAC La R\u00e9nyon, lan\u00e9 1998<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\"><em>L\u2019Oratorio 1998<\/em> : in rankonte rantr\u2019 deu koko d\u00fcr<\/h3>\n\n\n\n<p>Lan\u00e9 1998, 150\u00e8m laniv\u00e8rs\u00e8r labolisyon l\u00e9sklavaj La R\u00e9nyon. In komande L\u00e9ta i f\u00e9 rankonte deu kr\u00e9at\u00ebr n\u00e9na gro tanp\u00e9raman, lo R\u00e9nyon\u00e9 Boris Gamaleya \u00e8k lo Marokin Ahmed Essyad. Lo promi\u00e9 i doi \u00e9kri in livr\u00e9 po in loratorio \u00e9pila lo deuzi\u00e8m i doi f\u00e9 la m\u00fczik.<\/p>\n\n\n\n<p>Catherine Trautmann, ministre la K\u00fcltir, la-\u00e9krire : \u00ab komande-la l\u00e9t\u00e9 po deu zartis, Ahmed Essyad \u00e8k Boris Gamaleya, parsk toul\u00e9deu, shakinn son mani\u00e8r, i m\u00e8te an-l\u00e8r dann tout zot kr\u00e9asyon, la vari\u00e9t\u00e9 bann k\u00fcltir, la libert\u00e9 shak moun. \u00bb \u00c9pila ankor \u00ab&nbsp;mwin l\u00e9 vr\u00e9man kontan deu talan-la i rankonte : Ahmed Essyad, lo konpozit\u00ebr, rokon\u00fc po f\u00e9 passe lo pl\u00fc gadianm la tradisyon oral dann k\u00ebr in kalit\u00e9 m\u00fczik l\u00e9 abit\u00fc\u00e9 marshe \u00e8k l\u00e9krit\u00fcr \u2026 Boris Gamaleya, lo po\u00e8t, lo promi\u00e9 militan la kr\u00e9olit\u00e9 rouv\u00e8r dessi l\u00fcniv\u00e8rs\u00e8l \u00e8k son liv <em>Le volcan \u00e0 l\u2019envers<\/em> l\u00e9 in sinbol \u00e8k in mod\u00e8l po La R\u00e9nyon \u00bb.<\/p>\n\n\n\n<figure class=\"wp-block-image alignnone\"><a href=\"https:\/\/www.portail-esclavage-reunion.fr\/wp-content\/uploads\/2021\/09\/Boris-Gamaleya-portrait5.jpg\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1400\" height=\"927\" src=\"https:\/\/www.portail-esclavage-reunion.fr\/wp-content\/uploads\/2021\/09\/Boris-Gamaleya-portrait5.jpg\" alt=\"\" class=\"wp-image-6137\" srcset=\"https:\/\/www.portail-esclavage-reunion.fr\/wp-content\/uploads\/2021\/09\/Boris-Gamaleya-portrait5.jpg 1400w, https:\/\/www.portail-esclavage-reunion.fr\/wp-content\/uploads\/2021\/09\/Boris-Gamaleya-portrait5-300x199.jpg 300w, https:\/\/www.portail-esclavage-reunion.fr\/wp-content\/uploads\/2021\/09\/Boris-Gamaleya-portrait5-768x509.jpg 768w, https:\/\/www.portail-esclavage-reunion.fr\/wp-content\/uploads\/2021\/09\/Boris-Gamaleya-portrait5-1024x678.jpg 1024w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><\/a><figcaption class=\"wp-element-caption\">Boris Gamaleya \u00e0 la Plaine des Palmistes, lan\u00e9 1995. Dan <em>Le Quotidien de La R\u00e9union<\/em>.<br>Kol\u00e8ksyon Bibliot\u00e8k D\u00e9partman La R\u00e9nyon<\/figcaption><\/figure>\n\n\n\n<p>Po lo trava\u00efy rantr\u2019 toul\u00e9deu i rande o-mi\u00eb, Ahmed Essyad i vien La R\u00e9nyon po in tan. Zot rankonte l\u00e9 amikal \u00e9pila lo trava\u00efy i \u00e9spasse bien kanm\u00e8m nad\u00e9foi i rale inp\u00e9 lo konte, m\u00e9soman zot i niabou trouve in lantante. N\u00e9na jist in naf\u00e8r zot i kale dessi : Boris Gamaleya nor\u00e9 d\u2019gou si dann zot loratorio nav\u00e9 vr\u00e9man lo son la m\u00fczik bann zansien z\u00e9sklav ; Ahmed Essyad, tankali, i v\u00eb pa ditou : lo kalit\u00e9 son m\u00fczik l\u00e9 a-par \u00e9pila difissil, a-partir bann transformasyon m\u00e8mtan t\u00e9knik, sansib, bann son \u00e9sp\u00e9ssial l\u00fc trape dan lo bann m\u00fczik tradisyon\u00e8l, pa rienk \u00e7at son p\u00e9i m\u00e9soman dessi la t\u00e8r anti\u00e9, i gaingne arpa kole dann son l\u00ebv sof koman, ser\u00e8s in morso maloya. Boris Gamaleya, in gran lamour\u00eb la m\u00fczik, t\u00e9 i prof\u00e8re in trava\u00efy konm \u00e7at Luciano Berio la-f\u00e9 dann son <em>Folksongs<\/em>, in kalit\u00e9 trava\u00efy post-mod\u00e8rn i d\u00e9boushe dessi in mayaj m\u00fczikal par\u00e8y \u00e7ak nou gaingne antande dan \u00ab <em>l\u2019\u00e9trange synth\u00e8se<\/em> \u00bb. Ahmed Essyad, malgr\u00e9 son ladmirasyon po \u00ab&nbsp;<em>la beaut\u00e9 magmatique et m\u00e9taphorique<\/em> \u00bb la lang Gamaleya, i largue arpa : po vr\u00e9man dan la mod\u00e8rnit\u00e9, son m\u00fczik ossi sar konm do-f\u00e9, av\u00e8k anndan l\u00e9spri bann m\u00fczik tradisyon\u00e8l sar may\u00e9 \u00e8k toute lo bann m\u00fczik, boudikonte i gaingne arp\u00fc rotrouve azot touss\u00ebl inn-\u00e9-l\u2019ot. Lo bann disk\u00fcssion rantr\u2019 toul\u00e9deu l\u00e9 sho, t\u00e9 in mod\u00e8l ral\u00e9-pouss\u00e9 jiska, l\u00e9 rogr\u00e9tan nou la niabou ramasse jist deu-troi pti mi\u00e8te, parsk lo po\u00e8te t\u00e9 i rakonte an-gro an-gro, lo konpozit\u00ebr tankali t\u00e9 i koze pa ditou la-dessi.<\/p>\n\n\n\n<p>M\u00e9soman, Essyad deu-troi zan\u00e9 oparavan (1991-1994) lav\u00e9 konpoze in lop\u00e9ra \u00ab <em>lumi\u00e8re <\/em>\u00bb, <em>L\u2019exercice de l\u2019amou<\/em>r, selon in livr\u00e9 Bernard No\u00ebl. Toul\u00e9deu i sar vitman arkomanse trava\u00efye ansanm po inn-ot lop\u00e9ra, <em>H\u00e9lo\u00efse et Ab\u00e9lard<\/em> (2000). Deu l\u00ebv-la l\u00e9 dan la spirit\u00fcalit\u00e9, ou\u00e7a latirans Essyad po lo soufism i mari\u00e9 tr\u00e9 bien \u00e8k lo \u00ab <em>th\u00e9ologie n\u00e9gative de la tradition m\u00e9di\u00e9vale occidentale<\/em> \u00bb, ro-trava\u00efy\u00e9 \u00e8k lo k\u00ebr par Bernard No\u00ebl. Essyad \u00e8k Gamal\u00e9ya i rotrouve toul\u00e9deu dan lo m\u00e8m lintansyon f\u00e9 grandi l\u00e9spri demoun. Lo konpozit\u00ebr nad\u00e9foi, la-di d\u2019zaf\u00e8r par\u00e8y \u00e7ak lo po\u00e8te nor\u00e9 di : \u00ab <em>une synth\u00e8se culturelle qui ne porterait pas la r\u00e9flexion des hommes en avant, qui n\u2019enrichirait pas le pr\u00e9sent d\u2019une exp\u00e9rience nouvelle, ne saurait permettre le double \u00e9tonnement, continent \u00e0 continent, ce territoire o\u00f9 l\u2019homme peut se perdre enfin<\/em>. \u00bb Rantr\u2019 bann kontinan, rantr\u2019 bann zil\u2026 Gamaleya i konprande son livr\u00e9 i doi tonbe konm lo k\u00ebr in trava\u00efy la-am\u00e8ne po toultan, dann son tr\u00e9fon, son l\u00ebv par kot\u00e9 \u00ab <em>les services euphoriques du d\u00e9passement<\/em> \u00bb, konm l\u00fc di dann son padport <em>L\u2019Oratorio 1998<\/em>.<\/p>\n\n\n\n<p>Parlf\u00e8te livr\u00e9-la, i ap\u00e8le <em>Ombline ou Le volcan \u00e0 l\u2019envers<\/em>, i tonbe konm son r\u00e9z\u00fcm\u00e9, konm inn- ot v\u00e8rsion jiska. Baz\u00e9 dessi \u00ab <em>le va et vient de l\u2019Imaginaire infini, le marronnage implicite et continu vers des lendemains de ni v\u00e9rit\u00e9, ni mensonge<\/em> \u00bb, l\u00fc l\u00e9 kalk\u00fcl\u00e9 po \u00e9fasse lo bann dif\u00e9rans, an-promi\u00e9 rantr\u2019 bann maron \u00e8k bann propri\u00e9t\u00e8r z\u00e9sklav, \u00ab <em>en une participation festive \u00e0 la synth\u00e8se, l\u2019\u0153uvre insulaire enfin ouverte sur l\u2019universel<\/em>. \u00bb<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><em>L\u2019Oratorio 1998<\/em> : pr\u00e9zantasyon lo livr\u00e9<\/h3>\n\n\n\n<p>Pierre Gervasoni la-f\u00e9 in bon r\u00e9z\u00fcm\u00e9 : \u00ab <em>sise sur le volcan de la Fournaise o\u00f9 se sont r\u00e9fugi\u00e9s de nombreux esclaves en fuite, se divise en quatre parties d\u2019in\u00e9gale longueur. La premi\u00e8re met en sc\u00e8ne plusieurs figures (Simangavole, Matout\u00e9, Sankoutou) li\u00e9es aux croyances des royaumes marrons. La deuxi\u00e8me s\u2019attache de mani\u00e8re elliptique \u00e0 la destin\u00e9e de deux amants (Sarah et Sinacane) dans ce br\u00fblant au-del\u00e0. La troisi\u00e8me voit l\u2019apparition d\u2019Ombline Desbassayns, esclavagiste pieuse mais impitoyable, invit\u00e9e \u00e0 avoir des id\u00e9es plus larges parmi les morts que parmi les vivants. La quatri\u00e8me se r\u00e9jouit enfin de la conversion escompt\u00e9e de l\u2019aristocrate et loue le fruit de son union consomm\u00e9e avec Sankoutou sur un volcan devenu paradisiaque<\/em>. \u00bb<\/p>\n\n\n\n<figure class=\"wp-block-image alignnone\"><a href=\"https:\/\/www.portail-esclavage-reunion.fr\/wp-content\/uploads\/2021\/09\/Ombline_ou_le_volcan_a_l_envers-e1631164369451.jpg\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"550\" height=\"547\" src=\"https:\/\/www.portail-esclavage-reunion.fr\/wp-content\/uploads\/2021\/09\/Ombline_ou_le_volcan_a_l_envers-e1631164369451.jpg\" alt=\"\" class=\"wp-image-6096\"\/><\/a><figcaption class=\"wp-element-caption\"><em>Ombline ou le volcan \u00e0 l&#8217;envers : oratorio pour quatre solistes, choeur mixte, r\u00e9citant, six percussions et ensemble<\/em>,  <br>m\u00fczik Ahmed Essyad t\u00e8ks Boris Gamaleya, Sin-Jil-l\u00e9-0.<br> M\u00fcz\u00e9 istorik Vill\u00e8le, lan\u00e9 2005<\/figcaption><\/figure>\n\n\n\n<p>Shak morso i d\u00e9b\u00fcte par lo kozman in rakont\u00ebr, lo promi\u00e9 morso i di : \u00ab <em>Enfin, il nous est donn\u00e9 de pouvoir \u00eatre\/tout cela<\/em>. \u00bb D\u00e9klarasyon div\u00e8rsit\u00e9-la i sorte a-partir in limaj la Pl\u00e8ne d\u00e9-Sab, par kot\u00e9 lo piton La Fourn\u00e8z, in l\u00e9sp\u00e8s pti d\u00e9z\u00e8r, in bon landroi po in m\u00e9ditasyon, po rande anou par\u00e9 po trouve lo gran kontantman al\u00e9 pl\u00fcs loin po vr\u00e9man : \u00ab <em>Le vent glac\u00e9<\/em> \u00bb, \u00e8k son kort\u00e8j \u00ab <em>voix de fond<\/em> \u00bb i rande in tiktak ranpli ansanm bann r\u00e9zonans \u00e8k l\u00e9ko i p\u00e8rm\u00e8te in dif\u00fczyon, \u00ab <em>de feux en feux<\/em> \u00bb \u00e9pila \u00ab <em>de fins en fins<\/em> \u00bb, in vibrasyon i rassanbe toute dessi son shemin : \u00ab <em>\u00e9chos kolokolok- du magma \u00e9carlate<\/em> \u00bb, \u00ab <em>clapotis dans le berceau des conques<\/em> \u00bb, \u00ab <em>grains de fl\u00fbte \u00e9pris des veines de l\u2019eau<\/em> \u00bb\u2026<\/p>\n\n\n\n<p>Parlf\u00e8te lo deuzi\u00e8m morso s\u00e9 in rap\u00e8l koman tout i r\u00e9spire lo kouple maron mod\u00e8l Sarah \u00e8k Sinacane. Gamaleya i transforme in mo awayen (<em>paboeboe <\/em>: \u00ab <em>rivi\u00e9re de satin<\/em> \u00bb) i sorte \u00e8k la v\u00fclkanoloji po koze dessi in lav likid, konm \u00e7at lo volkan La R\u00e9nyon, an-lonomatop\u00e9 po f\u00e9 m\u00e8mtan lo sifloman koud\u2019fou\u00e8te lo magma bazaltik l\u00e8rk l\u00fc d\u00e9boule lo bann pante \u00e9pila in l\u00e9sp\u00e8s lap\u00e8l po rassanbe lo bann div\u00e8rsit\u00e9 : : \u00ab <em>Paho\u00e9 o\u00e9 o Paho\u00e9 o\u00e9 \u00e9<\/em> \u00bb \u2026 \u00c9pila Sarah l\u00e9 dann gran pl\u00e9zir majine in larmoni j\u00e9n\u00e9ral l\u00e9 po ariv\u00e9 : \u00ab <em>Moi, j\u2019entends un orchestre prendre au ciel tout l\u2019or de la nuit<\/em> \u00bb \u2026<\/p>\n\n\n\n<figure class=\"wp-block-image alignnone\"><a href=\"https:\/\/www.portail-esclavage-reunion.fr\/wp-content\/uploads\/2021\/09\/1990-96-4-58.jpg\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1206\" height=\"800\" src=\"https:\/\/www.portail-esclavage-reunion.fr\/wp-content\/uploads\/2021\/09\/1990-96-4-58.jpg\" alt=\"\" class=\"wp-image-6140\" srcset=\"https:\/\/www.portail-esclavage-reunion.fr\/wp-content\/uploads\/2021\/09\/1990-96-4-58.jpg 1206w, https:\/\/www.portail-esclavage-reunion.fr\/wp-content\/uploads\/2021\/09\/1990-96-4-58-300x199.jpg 300w, https:\/\/www.portail-esclavage-reunion.fr\/wp-content\/uploads\/2021\/09\/1990-96-4-58-768x509.jpg 768w, https:\/\/www.portail-esclavage-reunion.fr\/wp-content\/uploads\/2021\/09\/1990-96-4-58-1024x679.jpg 1024w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><\/a><figcaption class=\"wp-element-caption\"><em>Vue \u00e0 vol d&#8217;oiseau du volcan, pour l&#8217;intelligence de la lettre de Mr. Huber<\/em>t. D\u00e9ssin\u00e9 par Bory de St. Vincent ; <br>grav\u00e9 par B. Tardieu. Lan\u00e9 1804. Litografi. Dann <em>Voyage dans les quatre principales \u00eeles des mers d&#8217;Afrique<\/em>\u2026, J.-B.-G.-M. Bory de St- Vincent, pl. 56<br>Kol\u00e8ksyon M\u00fcz\u00e9 istorik Vill\u00e8le<\/figcaption><\/figure>\n\n\n\n<p>Dann d\u00e9b\u00fc lo troizi\u00e8m morso, lo pl\u00fcs d\u00e9vlop\u00e9 parsk c\u00e9 lo pl\u00fcs inportan, lo rakont\u00e8r i koze dessi volkan konm \u00ab <em>crat\u00e8re de l\u2019ivresse<\/em> \u00bb, \u00e9pila la korale konm \u00ab <em>conque annonciatrice de l\u2019autre r\u00e8gne !<\/em> \u00bb Apr\u00e9 la mor Ombline, \u00e8l i arive volkan, royom bann maron, ou\u00e7a \u00e8l i \u00ab <em>tombe sur (ses) n\u00e9gations \u00e9tranges<\/em> \u00bb \u2026Son promi\u00e9 linstin i kole dir\u00e8k ansanm son pozisyon sossial \u00e8k son listoir : \u00ab <em>\u00c0 moi mes mousquetaires ! Tromblonnez-moi ce lieu d\u2019indiscipline !<\/em> \u00bb M\u00e9soman Sankoutou n\u00e9na \u00ab <em>un meilleur r\u00f4le \u00e0 [lui] proposer !<\/em> \u00bb : \u00ab <em>Tu rejoins notre f\u00eate \u2013 ou tu retournes en ton gisoir putride<\/em>\u2026 \u00bb. I fo sorte dan lo fatalit\u00e9 listoir plin d\u2019d\u00e9zord, plin d\u2019f\u00e9rossit\u00e9, \u00e8k la rank\u00fcne, po arive jiska lo \u00ab <em>tr\u00e9sor jubilatoire<\/em> \u00bb f\u00e9 par lo bann \u00ab <em>synth\u00e8ses\/pure pens\u00e9e du tout<\/em> \u00bb\u2026 Sankoutou i soutien \u00e9pila i niabou antr\u00e8ne Ombline : \u00ab <em>Il n\u2019est d\u2019autre histoire que celle du verbe qui t\u2019appelle. Entre la mort et ton image recalibr\u00e9e le choix est clair pour une \u00e2me \u00e0 jamais libre\u2026 Aucun futur de tyrannie ne la menace. On joue \u00e0 recommencer autrement !<\/em> \u00bb Alors lo r\u00e9spir tout ansanm, i l\u00e9ve \u00e8k lo bann \u00ab <em>magmas de tous les souffles !<\/em> \u00bb, \u00e9pila Ombline po largue lo kor (\u00ab <em>d\u00e9leste-moi<\/em> \u00bb), i krie : \u00ab <em>Terre en l\u2019air ! Ciel \u00e0 terre !<\/em> \u00bb La sint\u00e8z l\u00e9 antrinn f\u00e9 \u00e9pila lo volkan l\u00e9 alanv\u00e8r po toutbon.<\/p>\n\n\n\n<p>Po fini, lo katri\u00e8m morso bien kourte i shante \u00ab <em>la moisson d\u2019\u00e9piphanies<\/em> \u00bb ast\u00e8r l\u00e9 possib parsk lo bann \u00ab <em>essaims cyclon\u00e9s<\/em> \u00bb listoir la-fine br\u00fcle \u00ab<em> leurs violences <\/em>\u00bb, \u00e9pila parlf\u00e8te nou la-fine sorte dann lo \u00ab <em>chaos de fausset\u00e9<\/em> \u00bb po al\u00e9 jiska \u00ab <em>la Voie br\u00e8che ouverte de recto en verso<\/em> \u00bb\u2026<\/p>\n","protected":false},"author":5,"featured_media":16061,"parent":8735,"menu_order":40,"template":"","class_list":["post-16055","documentaire","type-documentaire","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.portail-esclavage-reunion.fr\/re\/wp-json\/wp\/v2\/documentaire\/16055","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.portail-esclavage-reunion.fr\/re\/wp-json\/wp\/v2\/documentaire"}],"about":[{"href":"https:\/\/www.portail-esclavage-reunion.fr\/re\/wp-json\/wp\/v2\/types\/documentaire"}],"author":[{"embeddable":true,"href":"https:\/\/www.portail-esclavage-reunion.fr\/re\/wp-json\/wp\/v2\/users\/5"}],"up":[{"embeddable":true,"href":"https:\/\/www.portail-esclavage-reunion.fr\/re\/wp-json\/wp\/v2\/documentaire\/8735"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.portail-esclavage-reunion.fr\/re\/wp-json\/wp\/v2\/media\/16061"}],"wp:attachment":[{"href":"https:\/\/www.portail-esclavage-reunion.fr\/re\/wp-json\/wp\/v2\/media?parent=16055"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}